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passengers original soundtracks 1 discogs

Then imagine a musical accompaniment by a band of musicians who had day jobs working in Hollywood creating jingles for commercials. There was a 7-inch single culled from the album used for the late Arkie Whitely’s character on “Sarah’s Theme.” It was promo-only and an odd choice, as it has zero commercial appeal being purely instrumental and relying on pretty much three repeated notes and some very downbeat and sad sounding minor chord progressions. Equally impressive is the sweeping "Your Blue Room," which stands as one of U2's finest ballads. Without either Brians, the Australian genre’s input wouldn’t be as great as the archive holds. It’s like nothing you’ve ever seen before. (If they have, maybe someone can clue me in? A hidden gem of an album. But with 1991's Achtung Baby--and even more so on '93's Zooropa--U2 made clear they'd not become so alienated from artistic motivation that they believed more in their own importance than in their continued ability to create. They unwittingly get caught in the crosshairs of a multi-national corporation trying to cover up an accident at a nearby nuclear waster storage facility. The Last Wave is finally getting a local Blu-Ray release in September 2020 via Umbrella films. For this film, which owes more than a nod to Alfred Hitchcock’s Rear Window, computer developer Ed (Gary Day, Homicide) is confined to a wheelchair with his main companion being the 1-500, a sensory computer that he helped create. Oddly enough, the only other vocal track is a syrupy song by an Olivia Newton-John-soundalike Deena Green. The story concerns a lawyer, played by English actor Richard Chamberlain, who has to represent a group of indigenous men after they were in a bar fight that results in the death of another man. Whacko. Despite its occasional minimalism, it does come to a clanging cacophony when the onscreen action ramps up. Of the eight releases, Crosstalk sits awkwardly besides singles and albums by Judas Priest and Bill Haley. He forms a connection to his clients and starts receiving apocalyptic premonitions, with his main liason being the film legend that is David Gulpilil. Check the back cover of his 1974 album Wings of Isis for an extensive list of musical equipment that he himself uses. This 1959 film, inspired on Nevil Shute’s highly regarded novel On the Beach, was the first film to touch on the subject. Legendary Aussie stuntman Grant Page plays a rare lead role as a — wait for it — stuntman who goes to Los Angeles to work on a project, but ends up helping his cousin create theatrically impressive ideas for his band, Sorcery. Neal started his soundtrack career assisting Tasmanian composer Peter Sculthorpe for the much-vaunted British film, Michael Powell’s Age of Consent (1969), set on the Great Barrier Reef in Queensland. Blake plays an anti-hero of sorts in one example of Australia’s film obsessions about cars. Another highlight is the stripped-back percussive number “Roof Top” with yet another appearance by a super spongey synth that precedes the finale where villain George Lazenby gets his arse kicked overlooking a panoramic view of the Sydney harbor. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. In 1989, 10 years after the film’s release, the score was finally made available commercially by film soundtrack specialists 1M1 on CD. I feel that it now fits in more with the genre films that were coming out of Italy at the time. U.S. label Code Red released a double-disc DVD, while a single disc appeared from Australia’s Madman. REACH SEQUENCE7. Passengers is a collaboration between U2 and Brian Eno, so it should come as no surprise that the music on Original Soundtracks 1 is an extension of U2's last album, Zooropa.Under Eno's influence, the group incorporates more ambient electronic soundscapes, which unravel over the course of the album. It’s not always a comfortable listen as a standalone piece of music. It also appears on U2's compilation The Best of 1990-2000, and was covered by George Michael on his album Songs from the Last Century. They certainly had a knack for rocking hooks — just check out their track “Sacrifice.” It’s incredibly impressive and a pummelling example of intensity and guitar histrionics. We work hard to protect your security and privacy. Stone Temple Pilots: Alive in the Windy City DVD. (Special Tactical Airborne Brigade). The back of the LP sleeve mentions that Wilson uses the Oberheim 4 voice synth, a Moog modular system, Roland System 100m, and even a Roland Space Echo among others. Apparently, she was touring Australia for a production of the counter-culture musical Hair as this single came out in 1970. The film has had a terrible history. "Miss Sarajevo" is a song by U2 and Brian Eno, credited to the pseudonym "Passengers". And honestly, this film deserves more love. As you can probably imagine, its very Berlin styled, or what is referred to as Teutonic electronic. One of the greatest Australian exploitation films ever made is this widely delicious, insanely entertaining, and thematically over-the-top piece of gilded trash. Two years later, it turned up on VHS through Roadshow and then again on DVD in 2005 through a limited run, which went out of print and became highly coveted and expensive on the secondary market. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. One of the bankrolling executive producers was Dutch and was most likely either appeased or requested a star of the film be from the Netherlands: Monique van de Ven, who had just come off a starring role in a well-received Dutch historical mini-series. ), Reviewed in the United States on May 15, 2001, When I worked at my college radio station in the early 80s, someone had taken a magic marker to the Talking Heads' "Remain in Light" and had written "File Under Eno. It’s very dark, moody, and relies predominately on layers of synth chords as there is virtually no percussion of any kind — kind of like those mediation CDs you put on late at night to fall asleep. As they hadn’t recorded anything previously, the film’s soundtrack would be their first release produced by soundtrack composer Jimmie Haskell. This album is the best from 90s U2 alongside Achtung Baby. The Moog comes first, a B3 Hammond organ, followed by a glockenspiel, nose flute, and sleigh bells. The most affecting example of this is "Miss Sarajevo," a slowly pulsating and melancholy collaboration with Luciano Pavarotti, who makes the middle eight soar.

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